dbx 223xs Crossover Features at a Glance:
Only logged in customers who have purchased this product may leave a review.
| Settings | dbx 223xs Stereo 2-Way, Mono 3-Way Crossover remove | PRESONUS CDL 12&18 remove | RCF M20X remove | EARMIX 16M remove | RCF E24 MIXER remove | ES 503 - Column PA Stereo System remove |
|---|---|---|---|---|---|---|
| Name | dbx 223xs Stereo 2-Way, Mono 3-Way Crossover remove | PRESONUS CDL 12&18 remove | RCF M20X remove | EARMIX 16M remove | RCF E24 MIXER remove | ES 503 - Column PA Stereo System remove |
| Image | |  |  |  |  |  |
| SKU | ||||||
| Rating | ||||||
| Price | ₵2,981.63 | ₵74,824.00 | ₵28,344.00 | ₵7,216.00 | ₵10,051.00 | ₵29,693.00 |
| Stock | In Stock
| Out of stock
| Out of stock
| In Stock
| In Stock
| Out of stock
|
| Availability | In Stock | Out of stock | Out of stock | In Stock | In Stock | Out of stock |
| Add to cart | ||||||
| Description | ||||||
| Content | dbx 223xs Crossover Features at a Glance:
| CDL12Symmetrical dispersion matters.Traditional line array loudspeakers typically place a high-frequency horn on one side of the enclosure and a woofer on the other. To obtain a symmetrical image with those loudspeakers, you'd have to flip one over—something they aren't designed to do in the first place—and you'd still have phase issues. With the CDL12, the eight 2-inch high-frequency drivers arc over a single 12-inch woofer, comparable to the coaxial driver configuration found on top studio monitors. The result is better sonic coherence across the entire venue, with no anomalies to compensate for via time-consuming room correction. Regardless of how many CDL12s you stack, you're working with a shared acoustic axis—and non-turbulent sound propagating throughout the room. The CDL12’s hybrid point source/line array design delivers focused sound with consistent SPL coverage both on- or off-axis, making it an excellent choice for mobile and installed applications. Rigging CDL12 enclosures is made easier, thanks to integrated pin-loaded rigging hardware. A dual-angle pole mount is provided, supporting the use of one or two enclosures when pole mounted on a tripod stand, or atop the companion CDL18s subwoofer, allowing the system to adapt to varying audience sizes. When vertically arrayed for suspended applications, up to five CDL12 enclosures can be flown beneath one or two CDL18s subwoofers. When flown without a subwoofer, six CDL12 loudspeakers can be arrayed to create a truly symmetric 120˚ x 120˚ design.CDL18The unique port configuration in the CDL18s enclosure maximizes efficiency to create a big bass sound from a compact cabinet. Each of the four triangle-shaped ports are placed in the corners so that they couple to the cabinet. This takes advantage of the side walls to build out the port, effectively elongating each port and allowing the CDL18s to move more air in a compact enclosure. This configuration also avoids port chuffing while minimizing baffle reflections to deliver better phase coherence. Its custom 18-inch low-frequency transducer with 4-inch voice coil can travel 7 mm before over-excursion, and easily handles 800W. Every design decision was made so that the CDL18s packs serious punch into a small footprint. Its powerful bass performance and compact design make the CDL18s a desirable choice for both installed and mobile sound applications. Each CDL18s is equipped with an integrated pole mount and supports ground-stacked systems with up to two CDL12 loudspeakers mounted up top. Need more bass from your mobile application? Rig two CDL18s subwoofers together and mount a single CDL12 loudspeaker using a 19-inch sub pole. Integrated pin-loaded rigging makes it easy to fly up to five CDL18s subwoofers, or suspend two CDL18s subwoofers with five CDL12 loudspeakers below to create a complete CDL constant curvature array system for suspended applications where professional concert level sound quality is essentialOnboard Processing PowerThe CDL18s features an integrated PDA-1000, a heavy-duty 1000W Class D power amplifier with robust onboard DSP. For more advanced applications, each CDL18s can be connected to a standard LAN network and remotely controlled using Worx Control software for macOS® and Windows®. When combined with the CDL12 and CDL18s, Worx Control provides speaker-management tools that include compression, limiting, and 800 ms of delay. Speakers can be grouped and managed individually or together. Performance monitoring indicators allow you to monitor temperature and signal levels remotely.DanteThe locking Ethernet connection on the CDL12’s integrated PDA-1000 power amplifier also provides audio networking capability via Dante. Dante’s multi-channel digital media networking technology delivers near-zero latency and synchronization and has been adopted by many pro-audio manufacturers, facilitating the CDL12 loudspeaker’s interoperability with a wide range of equipment. Each CDL12 consists of eight 2-inch drivers aligned in a segmented circular-arc high-frequency array centered in front of a 12-inch woofer. The output of the low-frequency driver travels from the same acoustic axis as the high-frequency array so that the pattern always radiates from the center of the CDL12. This is true whether the CDL12 is used individually on a tripod speaker stand or as part of an acoustically coupled vertical array with up to six enclosures. Because of this, the CDL12 avoids the near-field anomalies that can interfere with the sound quality of a traditional line array. This makes the CDL12 ideally suited for a broader range of venue sizes, creating a far-field response almost immediately as the sound is projected from the center of the enclosure. | FEATURES
| YOUR MIX, YOUR WAYPersonal monitoring should be just that: personalized for whoever is listening. The EarMix 16M provides each channel with a 3-Band EQ and a limiter. This processing is also available for the main bus, allowing each musician to sculpt a mix that works best for them. Channels can be easily grouped, simplifying complex mixes. Once you’ve perfected your monitor mix, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally. | FEATURES
| GENERAL OVERVIEWES503 is a 1000W Power Amp Peak sound system composed by 2 slave 4x 3” full-range tops and 1 master 12” subwoofer. dBTechnologies’s components and design allow an amazing SPL/size ratio: 95x355x137 mm and 1.9 kg for the tops and 465x400x430mm 16,4 kg for the subwoofer for an overall 121 db SPL. The sub hosts a Digipro G3® amp module with auto-range PSU and a 3-channels mixer with Bluetooth connection. A powerful DSP manages all function of the on-board digital mixer, making the ES503 a real gem in terms of sound performance and versatility. The internal design of the tops allows an asymmetrical vertical coverage (thanks to the Logarithmic Curved Column Array technology) and a unique “double ringed” phase plug widens the horizontal coverage and guarantees a perfect voice intelligibility. This allows ES503 to adapt to any situation, both with a seated or standing audience. ES503 is the most eclectic among portable systems, allowing 3 different configurations suitable for hundreds of different occasions: 1 MONO MODE: The two satellites are connected top-on-top (thanks to a quick and easy slide connection system) and are placed on the subwoofer through a D25mm pole. |
| Weight | N/A | N/A | N/A | N/A | N/A | N/A |
| Dimensions | N/A | N/A | N/A | N/A | N/A | N/A |
| Additional information |
Reviews
There are no reviews yet.